{"id":37361,"date":"2026-03-16T12:57:02","date_gmt":"2026-03-16T11:57:02","guid":{"rendered":"https:\/\/www.racba.org\/?post_type=obra&#038;p=37361"},"modified":"2026-03-16T12:57:08","modified_gmt":"2026-03-16T11:57:08","slug":"estudi-de-parts-de-la-cara","status":"publish","type":"obra","link":"https:\/\/www.racba.org\/es\/obra\/estudi-de-parts-de-la-cara\/","title":{"rendered":"Estudi de parts de la cara"},"content":{"rendered":"\n<div class=\"wp-block-group is-vertical is-layout-flex wp-container-core-group-is-layout-8cf370e7 wp-block-group-is-layout-flex\">\n<p><strong>Inventari general: <\/strong>11032 G<\/p>\n\n\n\n<p><strong>Proced\u00e8ncia: <\/strong>Donaci\u00f3 d\u2019Enric Oliv\u00e9 i Serret, acad\u00e8mic corresponent per Tarragona, i de la seva esposa Sra. Maria Rosa Elias Arcalis.<\/p>\n\n\n\n<p><strong>Data d\u2019ingr\u00e9s: <\/strong>17 de novembre de 2025.<\/p>\n\n\n\n<p><strong>Signatura: \u00ab<\/strong>Rodes.\u00bb gravat a la pedra litogr\u00e0fica.<\/p>\n\n\n\n<p><strong>Inscripcions: <\/strong>\u00ab3\u00bb, gravat a la pedra litogr\u00e0fica i estampat al marge superior dret del requadre.<\/p>\n\n\n\n<p><strong>Estat de conservaci\u00f3: <\/strong>Regular. T\u00e9 signes d\u2019oxidaci\u00f3, el paper est\u00e0 esgrogue\u00eft i una mica brut. T\u00e9 plecs i arrugues als laterals.<\/p>\n\n\n\n<p><strong>Observacions: <\/strong>Representa parts d\u2019un rostre cl\u00e0ssic copiat d\u2019un guix o de les anomenades cartilles de principis o de dibuix. Aquests tipus de representacions anat\u00f2miques, sorgides al voltant del segle XVII, s\u00f3n comunes com a material pedag\u00f2gic per a la formaci\u00f3 dels artistes. Hi ha diverses litografies de Vicent Rodes on l\u2019artista il\u00b7lustra mans, caps, boques, nassos, etc. Durant la seva etapa de professor a l\u2019Escola Nobles Arts (1834-1858), li van encarregar la tasca d\u2019elaborar de nou els models de dibuix de l\u2019Escola, feina que va fer mitjan\u00e7ant estampes litogr\u00e0fiques. Aquests exemplars van ser molt \u00fatils als ensenyaments de Llotja durant anys. \u00c9s probable que aquest estudi de cap form\u00e9s part de les litografies que usaven els alumnes com a model.<\/p>\n\n\n\n<p><strong>Bibliografia<\/strong>:<\/p>\n\n\n\n<p>\u00b7 HERNANDEZ PUGH, Ana (2019). \u00abLas cartillas de dibujo espa\u00f1olas: su desarrollo y sus modelos\u00bb. A: Maria Luisa Cuenca, Ana Hern\u00e1ndez Pugh, <em>El maestro del papel<\/em>. Madrid: Museo Nacional del Prado; Centro de Estudios Europa Hisp\u00e1nica.<\/p>\n\n\n\n<p>\u00b7 PASCUAL GARNER\u00cdA, S., T\u00c9BAR MARTINEZ, P. (2018). <em>Vicente Rodes Aries. El estudio del natural<\/em>. Alacant: Consorci dels Museus de la Generalitat Valenciana.<\/p>\n\n\n\n<p>\u00b7 SERRAHIMA, Maurici. \u00abVicen\u00e7 Rodes\u00bb. A: <em>Butllet\u00ed dels Museus d\u2019Art de Barcelona<\/em>, n\u00fam. 49, juny 1935, p. 174-182. Barcelona.<\/p>\n\n\n\n<p>\u00b7 T\u00c9BAR MARTINEZ, Pilar (1997). \u00abLa litografia sobre paper a Catalunya de 1815 a 1855. De Josep March a Eusebi Planas\u00bb. A: Anna Orriols (Coord.), <em>LOCVS AM\u0152NVS, <\/em>n\u00fam. 3, 1997, 147-160. Barcelona: Universitat Aut\u00f2noma de Barcelona.. Versi\u00f3 en l\u00ednia: Servei de Publicacions UAB: <a href=\"https:\/\/revistes.uab.cat\/locus\/article\/view\/v3-velez\/75-pdf-ca\">https:\/\/revistes.uab.cat\/locus\/article\/ view\/v3-velez\/75-pdf-ca<\/a> [Consulta: 24-11-2025].<\/p>\n<\/div>\n","protected":false},"featured_media":37362,"template":"","ubicacio":[405],"tecnica":[3027],"classificacio":[1653],"autor":[1930],"class_list":["post-37361","obra","type-obra","status-publish","has-post-thumbnail","hentry","ubicacio-reial-academia-catalana-de-belles-arts-de-sant-jordi","tecnica-litografia-sobre-paper","classificacio-estampa","autor-rodes-i-aries-vicent"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/obra\/37361","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/obra"}],"about":[{"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/types\/obra"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/media\/37362"}],"wp:attachment":[{"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/media?parent=37361"}],"wp:term":[{"taxonomy":"ubicacio","embeddable":true,"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/ubicacio?post=37361"},{"taxonomy":"tecnica","embeddable":true,"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/tecnica?post=37361"},{"taxonomy":"classificacio","embeddable":true,"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/classificacio?post=37361"},{"taxonomy":"autor","embeddable":true,"href":"https:\/\/www.racba.org\/es\/wp-json\/wp\/v2\/autor?post=37361"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}